A Substance That Liquid Can Flow Through Is Called Fluidism Art – Most Active Of All Action Paintings

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Fluidism Art – Most Active Of All Action Paintings

definition

“Action Painting” A term used to describe works of art where artists freely and spontaneously apply paint to create compositions that emphasize color, texture, and pattern. The act of applying paints freely and spontaneously is the main concern of this style. The resulting artworks are enduring, free-form relics, material movements. Some artists claim that vague emotions or abstract expressions are involved.

Drip, drop, splatter and run

American artist, Jackson Pollock is probably the most familiar action painter who created his famous works in the 1940s and 1950s. In the 1950s, Pollock became widely known for his “drip paintings”, where he applied liquid paints to large pieces of canvas laid flat and swirled around, using stiff brushes and other implements to drip, splatter or curl the falling column of liquid. in various designs. In all instances of creating his action paintings, the movements of the actual fluids eventually ceased and rested as dry artworks in the original wet substrates. These dry artworks can be hung on the walls as “finished” products.

Dynamic Designs

By comparison, I am an artist who deals in paintings that never exist “Done.” I deal with original works of art that do not exist as nouns in their original substrates. The original content of my art requires observers to see their existence as a continuous verb. These materials, in their liquid state, can therefore never hang on walls. The only possible lasting artifacts in their active form are photographs. My photographs capture the peak moments of beautiful patterns that quickly dissipate. I call this style of painting “Fluidism”.

Features of style

Fluidism included anomalies in the art world that few people fully realized before the invention of cameras. Ancient Chinese priests had some knowledge of these events, but priests could not record the events that only cameras can record today. Priests used rice paper to print designs that resulted from ink splashing in pools of water. Again these artists took hold dry Samples

I, on the other hand, capture wet samples. My camera is more impressive than rice paper, allowing me to peer deep into liquid mixtures in their most delicate, perfect moments of transformation. I record these natural creations of nature shortly before they disappear forever. Like the ancient Chinese monks, I often start with a pool of water. Like Jackson Pollock, I then add acrylic and mineral oil to the mix. Sometimes I add colored oil, glycerin or egg white. My main canvases are fluid surfaces. My main technique involves improvisation, observation, trial, error and critical review of the images I capture.

The world as an artist

I allow the force and movement of wet materials to form patterns. I set the container, viscosity and other conditions for the flow. Available sunlight is my light. My tools consist of a film camera, a tripod, and the best 35mm color slide transparency film I can find. After the photo lab develops the color transparency film and creates a digital scan on the picture CD, I further enhance the image for contrast and color.

In fluidism art photography, most of the work is in image preparation and self-editing to select the best shots. Nature creates. I collaborate to reveal a talent far greater than mine alone.

© 2011 Robert G. Kernodal

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