A Significant Consequence Of Gene Flow Is That It Language Before Music – Music Before Language?

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Language Before Music – Music Before Language?

So what if…

Did you hear the sound?

Can you hear the thoughts?

Do you smell the right way?

What if it was all about spirals…

It is likely that human ancestors intuitively appreciated that the world was built around a spiral and responded more holistically to the perception of sound with their body-mind connection.

Recently (early 2009), the little hairy mutants in Leipzig started making slightly low-pitched ultrasonic whistles.

This was the result of an experiment conducted at the Max Planck Institute for Evolutionary Anthropology in Leipzig, Germany. Scientists have ambitiously created a type of mouse that contains the human version of a gene called FOXP2.

It is a gene associated with many critical functions, including the human capacity for language.

Not surprisingly, these mice communicate with each other differently, using slightly lower-pitched ultrasonic whistles, compared to people with the new gene. What’s even more interesting: nerve cells grown in one area of ​​the brain show higher complexity than in unaltered mice.

These anthropological investigations can help us better understand what constellation of genes and cultural practices underlie language ability in humans.

As a rehabilitation counselor – one who helps restore neuro-muscular function – related to physical balance, I see music’s strong connection to human movement and communication. Appreciation of the rhythms found in music originated as survival and training tools to replicate the important sounds of everyday life. A well-documented example is the role of birds as communicators to help humans and other animals survive. Birds alarm potential danger, sing us to sleep, are linked to cross-cultural spiritual beliefs, and may represent the first rhythmic entertainment on Earth.

The idea that vocal manipulation originated to enhance our survival by improving coordinated movement and communication for social interaction, reproduction, organization, and avoidance of danger is evident in the development of our brains and neural networks.

When we measure an emotional response to music, what is primarily being tested is the embodiment of “meaning” — whether or not the individual perceives the “meaning” of various audible sounds. It appears to be, to some extent, genetically (at least pre-wired), familiar, and easily learned over the course of life.

Having a coherent, organic system that connects our body to pre-wired processes in the brain (which respond to the sounds and movements we experience throughout our lives) lends itself to this survival logic.

Absorption of vibration, music, rhythm and echo-location is the first language that occurs in sensory form in the body. A primitive link in the growing social journey that begins in the womb. To appreciate and understand this inalienable truth — at a fundamental level — we need only explore the effect of ambient energy (energy is nature’s most basic order pattern) on the pre-born infant and on the social assemblage. Basis of personal identity (in the form of solidarity rituals).

Take the invention of the world’s first flute as an example.

From the Hohle Fells Cave, about 14 miles southwest of the city of Ulm, in 2008 Nicholas J. The nearly complete flute, excavated by Conard, implies that the first humans to occupy Europe had a very sophisticated musical culture. A griffon vulture wing bone with five precise holes is the oldest known musical instrument (a 35,000-year-old remnant of early human society) that appears to have contributed to improved social cohesion and new forms of personal expression. Communication is likely, this indirectly contributed to the demographic expansion of modern humans at the expense of the culturally more conservative Neanderthals.

Social cohesion goes hand in hand with the dawn of social grouping. Humans initially gathered and lived together based on trust, faith, and familiarity that intuitively “fit” with the community of human nature. In earlier times humanity, like animals, was very strongly connected to group consciousness and worked as a group to survive. This compatibility naturally created a process that can be called enhanced, intuitive communication. In nature, hypercommunication has been successfully applied for millions of years to organize dynamic groupings. The organized flow of a school of fish or a flock of birds on the wing demonstrates this dramatically. Modern man knows it only on a more subtle level as “intuition”.

Yet our primitive tribal forms–we have developed based on a psychic personal data assistant placed in the head that matches the “faces of places” and allows us to name our tribe member even in unfamiliar settings. This is not an archaic process of social formation but a primitive process. Until very recently in human history, people lived in “tribe-sized” groups, and even today we tend to return to that comfort zone. For example, it is not an accident of modern literature that the Bard retires King Lear from the throne but surrounds him with 100 knights to preserve the real personality of the ruler and the spirit of the “royal” community.

While virtually half of this social understanding of the evolution of music and language is building personal identity, an important element of “community-solidarity” formation is found in the group embodiment of sound. In order to develop and experience individuality we humans have had to mask, or perhaps more accurately attach our emerging individuality to musical form and expression. It thus became imperative to the social gathering (which sought to elicit and guide emotional response) that phonology and rhythm played an integral role. These ambient sound aspects play a peculiar social role by resonating the biosphere to enliven the audience and ultimately foster a sense of community. For cross-cultural emphasis, the revival Indian ritual of Astakaliya Kirtana – a long chant accompanied by rhythmic drumming to mesmerize the participants.

Odorous sound

However, movements outside of our audible range are still rhythmic and serve the same purpose as sound that we hear. We sense movement through the three balance centers of our body. All of these systems are associated with fluid electrical impulses through the central nervous system (brain and spinal cord), skeletal structures, and muscles. It is a complex system that works as a team to provide the correct output for proper stabilization of the body against the forces of gravity. Physical movements depend on messages sent to the brain’s control circuits. The brain remembers movement patterns through rhythm, not the interaction of individual muscles. So even our sense of smell can give us direction when it’s unclear.

For example, polyvagal theory, the study of the evolution of the human nervous system and the origins of brain structure, assumes that our social behaviors and emotional disorders are biological—that is, they are “hard-wired” into us—than we normally think.

The word “polyvagal” combines “poly,” meaning “many,” and “vagina,” referring to the longest cranial nerve called the vagus (affectionately known as the “vagrant” nerve). To understand the theory, a deeper understanding of the vagus nerve must be carefully considered. This nerve is a primary component of the autonomic nervous system. A nervous system that you don’t control. This makes things like digesting your food happen automatically. The vagus nerve exits the brain stem and has branches that regulate structures in the head and many organs, including the heart and colon. The theory proposes that the two different branches of the vagus nerve are associated with specific ways of reacting to situations perceived as safe or unsafe, positioning the body appropriately for flight or fight. Significantly, this nerve communicates with the only muscles in the body that are fed by cranial and spinal nerves in the neck and upper back (sterno cleido and upper trapezius). These muscles are also connected to the olfactory aspect of the limbic brain which allows us to easily turn our head to sense the direction of potential danger.

So we can easily understand how we feel sound vibration and movement with our physical body and our body is able to perform cognitive functions to support multi-tasking through the brain. Using your body in this way helps with a certain kind of survival intelligence. Specifically, our bodies are pre-wired to recognize rhythmic patterns, with sensors in each of our joints. It enables us to communicate, think, remember and perform cognitive functions.

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